Artist: Art Hodes
Genre(s):
Jazz
Discography:
Complete AH Blue Note Sessions (CD5)
Year: 1945
Tracks: 14
Complete AH Blue Note Sessions (CD4)
Year: 1944
Tracks: 15
Complete AH Blue Note Sessions (CD3)
Year: 1944
Tracks: 13
Complete AH Blue Note Sessions (CD2)
Year: 1944
Tracks: 13
Complete AH Blue Note Sessions (CD1)
Year: 1944
Tracks: 15
Throughout his long career, Art Hodes was a combatant for traditional wind, whether through his classifiable forte-piano playing, his writings (which included many articles and ocean liner notes), or his play on wireless and educational telecasting. Renowned for the feeling he put into blues, Hodes was curiously effective on up-tempo tunes, where his on-the-beat chordings from his left hand could be quite exciting. Max Born in Union of Soviet Socialist Republics, he came to United States with his category when he was sestet months old and grew up in Windy City. Hodes had the chance to attestant Chicago jazz during its selection days in the 1920s, and he conditioned from other pianists. In 1928, he made his recording debut with Wingy Manone, only exhausted to the highest degree of the mid-thirties in obscurity in Windy City until he affected to Newly House of York in 1938. He played with Joe Marsala and Mezz Mezzrow earlier forming his own band in 1941. Hodes recorded for Solo Graphics, his Jazz Record book stigma, Signature, Decca, and Black & Egg white during 1939-1942, just he made more of an printing with his heated Confederacy recordings for Wild blue yonder Note during 1944-1945 (completely of which stand been reissued on a Mosaic loge lay out). During 1943-1947, Hodes emended the important cartridge holder the Jazz Record book, had a receiving set set up evince, and became involved in the moldy park fig tree versus federal Bureau of Prisons wars with Elmore Leonard Feather and Barry Ulanov; jazz on a unit doomed to the latter. In 1950, he returned to Chicago, where he remained active topically and made occasional records. Hodes hosted a television serial publication, Jazz Bowling alley, for a time in the mid-sixties, wrote for Downbeat, and was a jazz educator. Art Hodes recorded oftentimes during the mid-seventies and '80s, and was widely recognized as one of the last survivors of Boodle jazz. His by and by recordings were for such labels as Audiophile, Jazzology, Delmark, Storyville, Euphonic, Muse, Parkwood, Candid, and Euphony & Liberal arts.
